owan Mersh is a textile based sculptor who explores form and fuses concept with technique, emphasizing experimentation as the focus of his practice. A celebrated graduate of the Royal College of Art, Mersh has developed a unique aesthetic, which is at once obvious upon encounter of his various sculptural forms, whether it be textiles, sculpture or any other experimental agenda in which he embarks. Mersh, explores form and fuses concept with technique, emphasizing experimentation as the focus of his practice. He has developed a unique aesthetic, which is at once obvious upon encounter of his various sculptural forms, whether it be textiles, sculpture, or any other experimental agenda on which he embarks. In Mersh’s own words: Our environment, the people we meet, the places we visit, the music we listen to, etc, are what make us who we are. Series 1 was derived from this notion, examining aspects within my own environment that shape me. Utilizing objects such as coins collected on my travels, my CD and vinyl collection, a compilation of signatures from people in passing, to the literal interpretation of DNA structure, sculptural forms were constructed, encompassing these objects within fabric. The objects themselves become obsolete, subsiding to their affiliation with the fabric and the geometric landscapes they create. Although all fabric sculptures are exhibited in an interior/gallery context, I am also drawn to the female form as a means to communicate aspects of scale and movement in these works. The body is fundamentally a three-dimensional form or space, thus can be treated so in the installation of a sculpture. Whether installed in an interior space or on the female form, it is the creation of an affiliation between sculpture and the space it occupies that determines the sub-sequential image or documentation of the work. For more information or to get in touch with Mersh just visit the link below.
www.rowanmersh.com
